Taiwanese horror doesn’t have much brand identity.  In a way that makes it one of the more interesting Asian nations getting in on the International horror scene.  Korea, Japan and (most recently) Thailand all have emerged with their own symbolic staples both in front of and behind the camera, but Taiwan’s contributions don’t seem to have any unique cultural signifiers to them.  Sure, that’s just dumb Yankee outside talker, I’m sure there’s plenty for the Taiwanese to call their own that I’ll never be aware, but this filtered reflection of other nation’s horror is what interests me more than anything.