A Latina spin on Jane Austens Sense and Sensibility, where two spoiled sisters who have been left penniless after their fathers sudden death are forced to move in with their estranged aunt in East Los Angeles.

From Prada to Nada is an American romantic comedy film directed by Angel Garcia and produced by Gary Gilbert, Linda McDonough, Gigi Pritzker and Chris Ranta. The plot was conceived from Jane Austens Sense and Sensibility. The screen play was adapted by Luis Alfaro, Craig Fernandez and Fina Torres to be a Latino version of the English novel. A Latina spin on Jane Austens Sense and Sensibility, where two spoiled sisters who have been left penniless after their fathers sudden death are forced to move in with their estranged aunt in East Los Angeles.

A Latina spin on Jane Austen s Sense and Sensibility, where two spoiled sisters who have been left penniless after their father s sudden death are forced to move in with their estranged aunt in East Los Angeles.

When their dad dies on his 55th birthday, Beverley Hills sisters, Mary and Nora, find themselves destitute, forced by a grasping sister-in-law to move in with their aunt in East L.A. Mary is mortified: spoiled by her dad, ignorant of Spanish, scared of the vatos. Her sister convinces her to finish college, and she promptly decides that one of her T.A.s will be her ticket back to Rodeo Drive. Younger sister Nora, a law student, gets a job as a legal intern, and her supervisor, the brother of the grasping sister-in-law, promptly falls for her. Slowly, the sisters realize what a rich place the barrio is at the same time that they get bruised in the contact sport of love.

When their dad dies on his 55th birthday, Beverley Hills sisters, Mary and Nora, find themselves destitute, forced by a grasping sister-in-law to move in with their aunt in East L.A. Mary, the younger sister, is mortified: spoiled by her dad, ignorant of Spanish, scared of the vatos. Her sister convinces her to finish college, and she promptly decides that one of her T.A.s will be her ticket back to Rodeo Drive. Elder sister Nora, a law student, gets a job as a legal intern, and Edward, her supervisor, the brother of the grasping sister-in-law, promptly falls for her. Slowly, the sisters realize what a rich place the barrio is at the same time that they get bruised in the contact sport of love.

When their dad dies on his 55th birthday, Beverley Hills sisters, Mary and Nora, find themselves destitute, forced by a grasping sister-in-law to move in with their aunt in East L.A. Mary, the younger sister, is mortified: spoiled by her dad, ignorant of Spanish, scared of the vatos. Her sister convinces her to finish college, and she promptly decides that one of her T.A.s will be her ticket back to Rodeo Drive. Elder sister Nora, a law student, gets a job as a legal intern, and Edward, her supervisor, the brother of the grasping sister-in-law, promptly falls for her. Slowly, the sisters realize what a rich place the barrio is at the same time that they get bruised in the contact sport of love.

When their dad dies on his 55th birthday, Beverley Hills sisters, Mary and Nora, find themselves destitute, forced by a grasping sister-in-law to move in with their aunt in East L.A. Mary, the younger sister, is mortified: spoiled by her dad, ignorant of Spanish, scared of the vatos. Her sister convinces her to finish college, and she promptly decides that one of her T.A.s will be her ticket back to Rodeo Drive. Elder sister Nora, a law student, gets a job as a legal intern, and Edward, her supervisor, the brother of the grasping sister-in-law, promptly falls for her. Slowly, the sisters realize what a rich place the barrio is at the same time that they get bruised in the contact sport of love.