America’s 1 comedian brings to stage his raw and uncut comedy from his highly successful 100 city It’s Pimpin’ Pimpin’ tour.

For the 375,000 fans (or pilgrims) who endured the massive traffic jams and the sweltering heat to attend the concerts, Williams is their pop messiah--an image the star seems content to cultivate throughout the two-hour set. Opening the concert in the style of another who wowed the masses, the stage curtains fall to reveal Robbie hanging upside down like Houdini in an escapologist costume; and like that master showman, Williams manages to keep his audience spellbound too. Despite the tens of thousands at the gig, Robbie does his best to interact with the audience, utilising his charm in an almost impossible attempt to persuade the masses that he s performing individually to each and every one of them. Various items of Robbie s attire are thrown into the audience, and one good-looking female fan is pulled from the front row, an event that Mr Williams uses to his own benefit by consensually sticking his tongue down her throat. He also takes advantage of the size of the audience and the fading light, by requesting that those with cameras use them at the exact same moment. Like a galaxy of pulsating stars, the camera flashes look spectacular, an effect that could only have been witnessed at the time by those lucky enough to be on stage.

Original CD released in 1972, it s a set of legendary John Williams favourite performaces in flamenco style.