&#8220;Contaminated Area is the 3rd album from the Polish synthesist. And as on Antimatter and Industrial Love, Dorian Przystalski investigates all the facets of the electronic universe, going from pure Berlin School (Blur Memory) to hard techno (Rust) touching ambient (Lost Lore) and commercial goody (Choice of Life).<br />
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Blur Memory opens magnificently Contaminated Area. A floating intro, which derives in a warm misty waves cosmos. Waves which undulate with bewitchment before sweet metallic percussions bring a lascivious tempo which waddles on misled chords. A very beautiful title which broods a light crescendo slowly dramatic, but absolutely daydreamer, with an ethereal voice which oscillates towards a sweet sensuality. To me, it is Dorian's most beautiful title. Glowing, Light Air has jazzy airs with a very lyrical synth, interrupted with a slightly syncopated sequence. Autumn Trees stays in the light harmonies. A fine movement, as Bionight’s Mac, which grips to sober percussions and a captivating synth. A beautiful title which sticks easily on a very melodious structure. Purely ambient Lost Lore soaks into a biting sound universe filled with colorful tones, creating an uncomfortable nothingness. Some Roach dark and black, with subtle sound modulations which creep into atonal carillons. Choice of Life clashes downright with an approach between Soft Rock and New Age. A beautiful unidentified voice on a sweet structure filled of rather classic riffs on a synth which rings as panpipes. A funny sound mixture which flows well, but which also goes downright away from a EM of all kind. Fiery, Rust is a hard title which unwinds at the speed of lighting. Some hard industrial music with percussions so unbridled as colorful, on a hyper technoпd beat. White Clouds encloses softly Contaminated Area. A long pleasant title to in the synthesized loops which strew a movement tinted of a cartesian romanticism. Although enchantress the flute pours  into a New Age tone, quite as the synth solos, binding this Dorian's last opus in a pell-mell musical rather poetic, exception made of Rust and Lost Lore, who charms more that it can disappoint with those New Age inserts.&#8221;

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