We all know how the story of Hua Mulan follows that of other legendary folk heroes in China's rich history, and to date there's only a reference poem which accounted her exploits which stem out of filial piety, at a time in the Northern Wei state centuries ago when the Emperor decreed that all families must contribute to the war effort. Being a military family, the Huas have no male heir to represent their family, which automatically meant the aging father has got to volunteer himself. Rather than send her father to instant death in the battlefield, Mulan disguises herself as a male, and takes her father's place. That's basically the gist of the story, where she spends 12 long years at the war-front to the amazement that she was never found out, before returning to the gratitude of family and country.

This also means that storytellers have almost a full reign at what could have transpired during her tour of duty, and suffice to say this will always mean that there will be elements of hardship during training, attempts or situations at putting her true identity at risk, and given the soft hearted nature of an adolescent female, affairs of the heart will come knocking. The same goes for this film, written by Zhang Ting, which adopted the romantic angle rather heavily, exploring the relationship between Mulan, and General Wentai (Chen Kun), in a love that's quite forbidden since firstly a female cannot be serving in the army, and secondly, face it, two male soldiers, and later on, of general rank, can't be seen behaving lovey-dovey in front of their men. Besides, being romantically involved also served to be a roadblock to Mulan's innate war ability, or so Wentai believes that needs some way to be severed so that she can unleash that beast within.

As Wei soldiers, they're tasked to defend their country from the nomadic invading forces which seek to conquer Wei for their iron, in which to make weapons, and then to plunder some more. There's some gigantic contrast between the troops on both sides, one sans heavy armour, while the other gets more beautifully decked out, and in some ways, better equipped. But what the film is rather all about, is its take on leadership. One can have strength in superior numbers, or to have technology on its side, but without an effective, charismatic leader, it's as good as not being able to harness the multiplier effect that comes with the territory. Imagine having morale, trust and belief so high, that troops will rally behind you, trust your vision, and literally to lay their lives down for the cause. I suppose with any effective leader who walks the reasonable talk, should be able to attest to the respect that they command over their followers.

Then there are the battle scenes, because what's a Mulan film without one. Unfortunately though, most of the scenes were featured in some way in the trailer, so they do not come as a surprise. There's no big-bang action sequence as well, choosing instead to opt for a rather more personal, intimate battle rather than one involving the masses, and also wrapping things up a tad too conveniently, although it tried to redeem itself with a pathos filled finale revisiting the romantic angle once again. The war front scenes were like a quick summary of 12 years of iconic battles that Mulan had led, so those looking for fantastically choreographed battles in the mould of Red Cliff, will be sorely disappointed.

Then there are some rather questionable scenes which comes out of the blue, and somehow marred the enjoyment of the film a little because of their convenience, with that little bit of vampirism which I felt was not quite necessary, and a natural phenomenon which just appears and seem to take sides, again for reasons I am not able to fathom, and speculate only for the showcasing of special effects. Disaster movie, this is not.