THE new Home Box Office special Robin Williams An Evening at the Met provides the latest illustration of how maintaining status in show business can be hazardous to a performers equilibrium. Forget little things like names going above or below a title. Todays stars are beyond mere billing squabbles. Outside of Dynasty, for instance, Joan Collins evidently wont tolerate anything less than a fourhour miniseries for her performance showcases. Or George C. Scott, returning recently as Gen. George Patton, insists on stretching to three hours a television movie that could have been done in 90 minutes.

THE new Home Box Office special Robin Williams An Evening at the Met provides the latest illustration of how maintaining status in show business can be hazardous to a performers equilibrium. Forget little things like names going above or below a title. Todays stars are beyond mere billing squabbles. Outside of Dynasty, for instance, Joan Collins evidently wont tolerate anything less than a fourhour miniseries for her performance showcases. Or George C. Scott, returning recently as Gen. George Patton, insists on stretching to three hours a television movie that could have been done in 90 minutes.

Batman & Robin try to keep their relationship together even as they must stop Mr. Freeze and Poison Ivy from freezing Gotham City.

In troubled times for England, when King Richard the Lionheart was held captive by the germanskogo Emperor Henry VI, the treacherous Prince John took over the throne and declared himself king.